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    <subfield code="a">Stamm, Peter,</subfield>
    <subfield code="d">1963-</subfield>
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    <subfield code="a">All Days Are Night</subfield>
    <subfield code="h">[Bridges eBook].</subfield>
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    <subfield code="b">Other Press, </subfield>
    <subfield code="c">2014.</subfield>
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    <subfield code="a">Format: OverDrive Adobe EPUB eBook, Filesize: 2099kB.</subfield>
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    <subfield code="a">Format: OverDrive OverDrive Read.</subfield>
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    <subfield code="a">HTML:&lt;p&gt;&lt;b&gt;A novel about survival, self-reliance, and art, by Peter Stamm, finalist for the 2013 Man Booker International Prize&lt;/b&gt;&lt;br /&gt; &lt;br /&gt; &lt;i&gt;All Days Are Night&lt;/i&gt; is the story of Gillian, a successful and beautiful TV host, content with her marriage to Matthias, even if she feels restless at times. One night following an argument, the couple has a terrible car accident: Matthias, who is drunk, hits a deer on the wet road and dies in the crash. Gillian wakes up in the hospital completely disfigured. Only slowly, after many twists and turns, does she put her life back together, and reconnects with a love interest of the past who becomes a possible future--or so it seems. In Stamm's unadorned and haunting style, this new novel forcefully tells the story of a woman who loses her life but must stay alive all the same. How she works everything out in the end is at once surprising and incredibly rewarding.&lt;/p&gt;.</subfield>
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  <datafield tag="520" ind1="1" ind2=" ">
    <subfield code="a">HTML:"In a moment, our lives can change, our identities can vanish; if we are to live, we must re-form ourselves. In his elegantly-written and profound new novel, Peter Stamm investigates and tracks how one such self is reconfigured with scraps of an old life while moving-by-feel into a new one. With beautiful clarity, realism and compassion, &lt;i&gt;All Days are Night&lt;/i&gt; takes us deep into a psyche-in-transition; the result is a revelatory novel that probes our most closely-held assumptions about how to live in this world.".</subfield>
    <subfield code="2">HTML:Michelle Huneven, author of &lt;i&gt;Off Course&lt;/i&gt;.</subfield>
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  <datafield tag="520" ind1="1" ind2=" ">
    <subfield code="a">HTML:"Everything Peter Stamm turns his hand to is highly disturbing, acutely perceptive, and unfathomably gripping, and &lt;i&gt;All Days Are Night&lt;/i&gt; is no exception. In sentences that are plain and surgical, in prose that has about it a disquieting stillness, he dissects our fractured lives. A masterpiece of disorientation and control, &lt;i&gt;All Days Are Night&lt;/i&gt; may be his best novel yet.".</subfield>
    <subfield code="2">HTML:Rupert Thomson, award-winning author of &lt;i&gt;The Insult&lt;/i&gt; and &lt;i&gt;This Party's Got to Stop&lt;/i&gt;.</subfield>
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    <subfield code="a">"The lucidity of Peter Stamm's writing contrasts with the complexity of his characters...he has similarities with Gerbrand Bakker and Helle Helle, whose protagonists are as opaque their creators' writing is clear. In laying bare his characters' vulnerability and illogical behaviour, Stamm renders the lives of the ordinary as fascinating as the studies of any anthropologist.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;The Guardian&lt;/i&gt;.</subfield>
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    <subfield code="a">"Stamm's careful, pared-down narrative, translated from German with great suppleness by Michael Hofmann, stops to notice all mirrors, all reflective surfaces or cameras, anything and anyone involved in visually representing the world. How can you see, Stamm's novel asks, when everyone is looking at you? How can you make art under that kind of pressure?".</subfield>
    <subfield code="2">HTML:&lt;i&gt;The New York Times Book Review&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"A tour de force [that] concern[s] itself with the mutability of identity. Stamm eschews middlebrow concerns of plot and resolution...his narrative is centered on the ruptures in his main characters' lives and their consequences. ...&lt;i&gt;All Days Are Night&lt;/i&gt; recuperates one of the biggest themes any novelist can tackle with austere, formal brilliance.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;Financial Times&lt;/i&gt;.</subfield>
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  <datafield tag="520" ind1="1" ind2=" ">
    <subfield code="a">HTML:"&lt;i&gt;All Days Are Night"&lt;/i&gt; is a gracious variation on a bitter theme, and one in which the author's clarity of style comes to seem part of the cure: like a balsam, it soothes the characters' sufferings, and helps them back into their lives.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;Spiegel Online&lt;/i&gt;.</subfield>
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    <subfield code="a">"Stamm...gives this well-worn set-up real energy...His prose, in a crystalline translation by Michael Hofmann, is as sharply illuminating as a surgical light. ...A profound and mysterious book.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;The Economist&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"&lt;i&gt;All Days Are Night&lt;/i&gt; air[s] the psychological implications of our beauty obsession and the insidious ways in which it can obscure selfhood.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;The New Republic&lt;/i&gt;.</subfield>
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    <subfield code="a">"Brilliantly translated by Michael Hofmann...Stamm perceives that grief is insane and horrifying, a nightmare that does not need to be emphasised.".</subfield>
    <subfield code="2">Literary Review.</subfield>
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  <datafield tag="520" ind1="1" ind2=" ">
    <subfield code="a">"Stamm keeps his tenderly misanthropic gaze riveted on his unhappy protagonists. He is like a gentler version of the young Houellebecq.".</subfield>
    <subfield code="2">Hans-Peter Kunisch,.</subfield>
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  <datafield tag="520" ind1="1" ind2=" ">
    <subfield code="a">"[A] complex, psychological tale...riveting...intensely moving.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;The Wall Street Journal&lt;/i&gt;.</subfield>
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  <datafield tag="520" ind1="1" ind2=" ">
    <subfield code="a">"This brief volume speaks eloquently about recovery and reinvention.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;Publishers Weekly&lt;/i&gt;.</subfield>
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    <subfield code="a">HTML:"A postmodern riff on &lt;i&gt;The Magic Mountain...&lt;/i&gt;a page-turner.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;The Atlantic&lt;/i&gt;.</subfield>
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  <datafield tag="520" ind1="1" ind2=" ">
    <subfield code="a">"A slim novel filled with big ideas about art and identity.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;Kirkus&lt;/i&gt;.</subfield>
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    <subfield code="a">"Stamm transmutes turmoil into form.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;The Times Literary Supplement&lt;/i&gt;.</subfield>
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    <subfield code="a">"A brilliant, bruising tale of shattered lives.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;The Independent&lt;/i&gt;.</subfield>
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    <subfield code="a">"[An] engrossing story of recovery.".</subfield>
    <subfield code="2">HTML:&lt;i&gt;The New Yorker&lt;/i&gt;.</subfield>
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    <subfield code="a">Literature.</subfield>
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    <subfield code="a">Fiction.</subfield>
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    <subfield code="a">Importer Version: 2014-01-08.01 Import Date: 2015-08-06 14:05:02.</subfield>
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    <subfield code="a">Hoffman, Michael.</subfield>
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